The trailer is was just too good. After saw the trailer i thought this movie will be a super blast but after saw the movie i just totally disappointed. Nothing is good in this movie except Mosharraf Karim's acting. Not good storyline, color grading, action. With this amount of story it can be a good drama not a movie. Director Bratya Basu should focus on good story and dialogues. Mosharraf Karim is a good actor he did not deserve this kinds of lames movies. Director Bratya Basu should focus on good story and dialogues. Mosharraf Karim is a good actor he did not deserve this kinds of lames movie
Fighter story: As India faces a militant attack in Kashmir, the country’s best combat aviators join forces to form Air Dragons. The story chronicles their bravery while protecting India, camaraderie, team spirit, and a top fighter pilot’s redemption after an incident in the past.
Fighter review: Riding high on India’s Republic Day fervour, Siddharth Anand’s outing has all the ingredients of a patriotic actioner. Top-notch aerial stunts skilfully delivered by the performers keep you on the edge of your seat. Sukhoi planes executing daring maneuvers set the tone for the film as the audience is introduced to the Air Dragons.
The squad includes Meenal Rathore, aka Minnie (Deepika Padukone), Shamsher Pathania, or Patty (Hrithik Roshan), Taj (Karan Singh Oberoi), and Basheer (Akshay Oberoi), with Rakesh ‘Rocky’ Jay Singh (Anil Kapoor) as their commander. The palpable tension between Rocky and Patty and a reference to a tragic incident in the past prepares you to expect drama along with thrill.
Director Siddharth Anand, known for action entertainers, treats one to slick sequences and enthralling cockpit drama. Action directors Se-yeong Oh, Parvez Shaikh, and Sunil Rodrigues masterfully captivate the audiences' attention with exhilarating stunts and fight choregraphy from start to finish. Cinematographer Satchith Paulose deserves applause for lending the film gravitas, whether amid the mountains, over the valleys, or on the airbases. However, the predictable tracks and cliches take away from its appeal at various stages in the narrative. The film relies on the usual tropes of a dreaded Pakistani militant on a mission to destroy India and how the Air Dragons save the day. Lines reminding one of the true meaning of religion and patriotism have also been done many times before.
In the city of Khansaar, Raja Mannar plans to make his son, Vardharaja Mannar his successor, but Raja Mannar's ministers and advisors plan a coup d'état by hiring armies from Russia and Serbia to attack and kill Vardha and Raja. Vardha, along with his brother and a few trusted men, manage to escape from Khansaar. Vardha goes to his childhood best friend, Deva, who learns about his predicament and sets out to make him the undisputed successor of Khansaar.
Writers Jimmy HendersonMichael Hodgson Stars Dara OurSavin PhillipMa Rynet
Hanuman Movie Full Review
Director Prasanth Varma, who shot to fame with films like Awe and Zombie Reddy, has once again teamed up with young actor Teja Sajja to bring us HanuMan, a Telugu-language superhero film, as part of the Prasanth Varma Cinematic Universe. The Sankranti release, also starring Amritha Aiyer, Varalaxmi Sarathkumar, and Vinay Rai, intricately weaves together elements of Indian mythology with a contemporary narrative. The film presents a classic confrontation between two central characters: Hanumanthu, the deserving bearer of divine power, and Michael, the antagonist driven by his desperate pursuit of the same supernatural abilities. Prasanth skilfully integrates familiar elements from various sources, blending them with CGI, thereby enhancing the protagonist's supernatural presence in the village setting. The story also delves into the rural dynamics and struggles of Anjanadri, including a love story and the challenges faced by villagers under oppressive practices.
Teja Sajja portrays his character of Hanumanthu, aka HanuMan, with great conviction, initially as a mischievous thief and later as someone who carries the mantle of playing the saviour of Anjanadri. The success of this film will surely propel him into a different league. Varalaxmi Sarathkumar, as Anjamma, the elder sister of Hanumanthu, packs a punch with her performance. She is a blend of beauty and power. Amritha Aiyer brings a sense of balance to the mix as Meenakshi, a doctor and daughter of a school teacher. The love angle between Hanumanthu and Meenakshi becomes an integral part of the plot. Vinay Rai, playing the antagonist, looks his part (typical supervillain) and strongly contributes to the adventurous plot. All of them brought depth and authenticity to the characters they portrayed. Other notable members of the cast include Vennela Kishore, Samuthirakani, Getup Srinu, Satya, and Raj Deepak Shetty.
With solid storytelling, impressive visuals, and strong performances, the film successfully merges elements of mythology with contemporary action, offering a unique viewing experience in Indian cinema.
from Mumbai loves doing stunts. He aspires to go to an extreme sports tournament which is held in Europe called Maidaan. His brother Nihal (Ankit Mohan), who attended the same tournament, got killed there but Siddhu doesn’t want to go there for revenge. In his mind, his brother, who was an extreme sports enthusiast, knew the risks associated with the tournament. It’s only when he learns the truth about his brother’s death that he totally cracks and starts hunting those who had wronged him.
If only the storyline of Crakk was this simple. No, they had to spoil it by throwing in some father-son conflict. So, apparently Dev (Arjun Rampal), who is the reigning champion and runs the tournament, has some daddy issues and wants to take over his father’s (Bijay Anand) empire. Then there’s also another very convoluted plot involving plutonium smuggling. Amy Jackson plays a Polish police inspector named Patricia, who doesn’t want any kind of terrorist activity in her country and suspects people behind Maidaan to be the sort of villains who wouldn’t bat an eye selling a dirty nuke to the highest bidder. So Patricia is looking for ways to trap him and involves our hero in it. Nora Fatehi plays an influencer named Alia who is smitten by Siddhu and helps him at a crucial time. Then, Siddhu Keeps seeing Nihal at the time of need and keeps seeking his dead brother’s advice.
The film suffers from slack writing. The plot doesn’t hold true at all. At times you’re wondering if the director has misplaced the script somewhere and is shooting ad hoc. The biggest question is why are all these extreme sports enthusiasts courting certain death? And, more importantly, why is the police not shutting down these death matches. They are blatantly being streamed alive and when the whole world knows about the location, why do the authorities not take any action. And why is there an audience about such stuff in the first place? Do the common people like seeing contestants killed on live streaming. Our society hasn’t lost its bearings by that much still.
Vidyut is cast as a Mumbai tapori. He speaks like someone from Teen Batti, or what our film writers feel is Teen Batti patios. That makes him sound like Jackie Shroff. So if the makers wanted someone like that, they should have taken Tiger Shroff. Arjun Rampal is shown to be all kinds of nasty but just doesn’t cut ice as a megalomaniac.
The only decent thing about the film are the action scenes. Whether it’s the opening sequences, where Siddhu shows off his skills as a lad who loves to do stunts on local trains, the death race sequence of the bicycle stunts, the action choreography is world class. But there’s too much gap between the set pieces. For an action film, the film’s pace is quite slack. Its sound design and background score needs to be worked on as well.
The Koranar deity is the guardian of a small village in Tamil Nadu and its tribes, who is believed to be safeguarding these tribes for as many as 600 years. The king and the prince have their eyes set on the land of tribals, which they claim belonged to them before it was given away to the tribes. Kept away from the temples built by them and at the mercy of the king and his son, the villagers are hoping to attain
freedom from the oppression they are subjected to. Meanwhile, the British, who hear about the power of Koranar deity, want to take it to England to please the king of Britain, just like they did it with the Kohinoor. With no option left, the local king hands the deity over to the British. But he also hatches a plan to hire Captain Miller aka Analeesan (Dhanush) and lures him with money and an offer to allow the villagers to the temple to get the deity back. Will Koranar deity be brought back to the village? Or does the rouge Captain Miller have another plan on his mind?
Captain Miller, at large, is a film about struggle for freedom, not just from Brcitishers but also from the oppressors. Captain Miller is one of the rarest film that tells the story of freedom struggle from the view point of an oppressed class. Dhanush gets three different looks in the film and he stands out tall among the sea of some brilliant performers. Dhanush cult is sure to enjoy each and every mass scene written with finesse. Shivarajkumar as Dhanush’s brother Sengolan is a perfect choice. Despite differences in the cause they are fighting for, when they come together, they bring in an electrifying chemistry on big screen. Shivarajkumar repeats the Jailer template in terms of his appearance in the film, but he has a bigger role to play here, especially during the climax. Dhanush is perfectly aided by brilliant cast that includes sudeep Kishan, Priyanka Mohan, Aditi Balan, John Kokken, Edward Sonnenblick and Vinoth Kishan, who shine in their moments, but Dhanush hogs the limelight.
The movie doesn’t lag per se, but it is a bit slow for the genre the makers have decided to tell the story in, making it a poetic action film, with some fabulous camera work. The first half truly testes ones patience with the second half taking off with good action set pieces. Yes, Dhanush is the lead of the film, but composer GV Prakash Kumar is indeed the hero of Captain Miller who manages to bring in emotions lacking in the film with his fabulous background score. The elevation BGM is one of the best in the recent times and coupled with bullet sounds, the music hits the crescendo throughout the film. He has perfectly blended rural percussion with fusion that soothes as well as pump up the audience. Coupled with Cinematographer Siddhartha Nuni’s fabulous long shots of confrontations, Captain Miller gives the old Hollywood vibe in some scenes - a composition you find in classic films.
Tiger 3 Story: Tiger (Salman Khan) and his partner Zoya (Katrina Kaif) face a heartbreaking personal threat when a vengeful terrorist, Aatish Rehman (Emraan Hashmi) from Pakistan, gives them an ultimatum: they must comply with his demands, otherwise you risk losing your child to a brutal fate. Tiger 3 Review: Tiger 3 continues the saga of YRF's spy universe, with the same old premise of a highly motivated terrorist who harbors a completely misguided idea of patriotism. Shridhar Raghavan's story serves as a canvas for director Maneesh Sharma to deliver a fast-paced action spectacle that combines the elements of duty, self-sacrifice and patriotism. Bhai's fans can rejoice as he looks fresh and in perfect shape. He goes to great lengths to perform daredevil stunts that defy not only death and gravity, but also logic.However, it is an absolute visual spectacle.
The narrative is packed with constant thrills and plot twists, many of them predictable but also entertaining. Anay Goswamy's stunning cinematography expertly captures the scale of this global spy saga, seamlessly spanning Europe, Russia, Istanbul, India and Pakistan. Emraan Hashmi shines as the ruthless antagonist Aatish, despite a very cliched characterization that lacks conviction. While the film is based on familiar elements of the spy genre and is inspired by Hollywood blockbusters and many Bollywood blockbusters, it ensures that there is no shortage of adrenaline-pumping action sequences. This time, however, the film's protagonist, Katrina Kaif, is given a well-defined character arc with a compelling backstory, strong motive and context.Katrina slips into an action-packed role with ease and kicks some butt along the way. His towel fight scene with Asian American actress Michelle Lee is very well done.
Despite the expected plot and reliance on established spy film tropes, “Tiger 3” strikes a difficult balance between patriotism and overdramatization. Shah Rukh Khan's timely cameo as Pathaan fits the story perfectly. It will surely shock fans of both Khans.This time Pritam's music doesn't leave a lasting impression. The text tends to portray Pakistan as the eternal antagonist without engaging with the continent's nuanced motivations and complex geopolitical landscape. The dialogues lack the punch to evoke constant applause and seetis from Bhai's fans. Despite its heavy reliance on visual effects, “Tiger 3” lacks the necessary finesse in many scenes, as does the harsh background music (by Tanuj Tiku). The fast pace makes up for 's many shortcomings, with Rameshwar S's tight editing.Bhagat. But overall, “Tiger 3” is a good addition to the franchise with enough ammunition for mass entertainment.
Ranvijay Singh (Ranbir Kapoor) is the hotheaded son of super rich industrialist Balbir Singh (Anil Kapoor). He's super protective of his family and loves his father to death. That trait is shown early on, when as a schoolboy, he takes on the bullies who were troubling his college-bound sister. Growing up, he understands his father is never going to accept him the way he is. He finds time to marry the love of his life, Geetanjali (Rashmika Mandanna), scoots off to the US and has two children. Then, daddy dearest becomes the target of an assassination attempt. The dutiful son comes roaring back after eight years to set things right and kills around 300 people doing so. In between, he goes to Punjab to mend ties with an estranged branch of the family, so they can lend their sons to help him win the war. The boys have lots of tons with their toys – one of them is a giant gun mounted on a motor.
All this happens before the interval. Now, the film practically ends at this point and if the director had done that, we would have left with a one-and-a-half hour long, slick actioner. But he doesn't do the needful and needlessly stretches it to another two hours. We are made to repetitively witness more mayhem.
The film is a homage to the hero worship every boy feels for his dad as a kid. Most of us slowly let go of that feeling as we grow up, and start seeing our fathers as beings of mere flesh and bone. This leads to a better relationship, a healthier relationship, with our parents as we age. But Ranvijay is shown to be having the emotional depth of a five year old when it comes to dealing with his father. He puts his father on the same pedestal as God, or even higher. He doesn't share the same equation with his mother, mind you. She’s a mere mortal, perhaps, as he says in the film, it's a man's world.
Sandeep Reddy Vanga was criticised for having men raise their hand against women in both Arjun Reddy and Kabir Singh. Here we have Rashmika giving in to anger and slapping Ranbir. That's Vanga’s way of making things right. Take it or leave it. The film worships at the temple of toxic masculinity, what with phallic humour galore and women being treated as mere sex objects. There’s a scene where Ranbir is celebrating his successful heart surgery by roaming around buff naked in the lawns, to put things in perspective.
All that aside, we never could imagine what prompted the director to make this vastly self-indulgent film. Maybe it was an experiment to turn Ranbir Kapoor into an action star. Perhaps to see how good he looks with Rashmika or with Triptii Dimri. Perhaps it was to resurrect Bobby Deol’s film career. Well, Ranbir’s such a good actor that he makes even leave-your-mind-at-home action look easy on the eye. And he does look good with both Rashmika and Triptii. And there’s no doubt that Bobby still has a great screen persona. But do these positives justify three hours and 21 minutes of runtime? Some scenes feel like they were written on the fly. The editing, the continuity is the least troubled department. The film is shot well and has some good songs to its credit but the story, screenplay and direction departments clearly needed a firmer guidance.
There have been films like Shakti (1982), revolving around tumultuous father-son relationships. Perhaps Sandeep Reddy Vanga should have gone back to the classic or sat with its director Ramesh Sippy to get a grip on how it’s done. Because Anil Kapoor and Ranbir Kapoor are two of our finest actors. And both have acted out of their skulls in this film. Their scenes together are the soul of the film. But even the finest talent can’t do much in the face of bad writing. It’s painful to watch their talent being used in such a way. The trailer of the film was so finely cut that it raised expectations sky high. The end product, sadly, just doesn’t match up to the hype.
Watch Animal to see Anil Kapoor and Ranbir Kapoor rising above the ridiculous to give a sublime performancr
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